WEBVTT 1 00:00:00.838 --> 00:00:02.525 . 2 00:00:02.847 --> 00:00:06.805 Mit Untertiteln von SWISS TXT 3 00:00:07.406 --> 00:00:10.285 "Shit, hier kann man draufblasten und Beats programmen." 4 00:00:10.607 --> 00:00:13.165 Das war wie eine neue Welt. 5 00:00:13.487 --> 00:00:16.245 Es ist das geilste Gefühl, wenn du in ein Studio kommst, 6 00:00:16.567 --> 00:00:20.126 einen Beat machst und denkst: "Shit, was für ein geiler Beat." 7 00:00:20.448 --> 00:00:22.325 Das ist das geilste Gefühl. 8 00:00:22.648 --> 00:00:24.685 * Hip-Hop-Beat * 9 00:00:25.007 --> 00:00:26.286 Shit. 10 00:00:26.607 --> 00:00:28.525 Hören wir uns an, wie es klingt. 11 00:00:33.487 --> 00:00:36.205 * Treibender Hip-Hop-Beat * 12 00:00:44.647 --> 00:00:46.645 Hier kommt noch nichts. 13 00:00:46.967 --> 00:00:48.725 * Hip-Hop-Beat * 14 00:00:52.167 --> 00:00:53.686 Too hard. 15 00:00:54.207 --> 00:00:56.486 Da krieg ich wieder "Albatross"-Flavour. 16 00:00:56.808 --> 00:00:58.166 Ja, voll. 17 00:01:01.287 --> 00:01:05.285 Ich finde, wir haben zwei Bangers reingeflippt am Nachmittag. 18 00:01:05.609 --> 00:01:07.886 Heaters. Heat only, y'know what I'm sayin'? 19 00:01:08.208 --> 00:01:10.006 Word. - Call me Tru. - Every day. 20 00:01:10.328 --> 00:01:12.886 Woher der Name Tru Comers kommt? 21 00:01:13.208 --> 00:01:16.045 Er ist etwa 2007 entstanden. 22 00:01:16.368 --> 00:01:18.846 Es ist eine Anlehnung an Newcomers. 23 00:01:19.167 --> 00:01:21.325 Aber wir sind keine Newcomers, sondern true. 24 00:01:22.128 --> 00:01:24.205 Darum nannten wir uns Tru Comers. 25 00:01:24.768 --> 00:01:28.006 Etwa so, oder? - Ja, etwa genauso. 26 00:01:28.328 --> 00:01:33.884 Wir beginnen ziemlich oft mit den Drums, wenn wir einen Beat machen. 27 00:01:36.008 --> 00:01:38.246 Das gibt dem Ganzen eine Grundstruktur, 28 00:01:38.568 --> 00:01:40.366 auf der man aufbauen kann. 29 00:01:40.688 --> 00:01:43.086 * Langsamer Beat * 30 00:01:49.168 --> 00:01:55.326 Ich bin Sperrow, Produzent, DJ und Tontechniker. 31 00:01:55.648 --> 00:01:57.407 Representing Tru Comers. 32 00:01:57.729 --> 00:02:02.806 Mein erfolgreichster Song wäre vielleicht der mit Kwam, "Real Rep". 33 00:02:03.129 --> 00:02:05.286 Ich glaube, der hat etwa 1 Mio. Streams. 34 00:02:05.608 --> 00:02:08.086 * Er rappt auf Französisch. * 35 00:02:12.408 --> 00:02:14.086 # Ayo, hör dir das nicht an, no. 36 00:02:14.408 --> 00:02:15.486 # Es sei denn, du willst sterben, run. 37 00:02:15.809 --> 00:02:17.527 # Wir rich, so anziehen, zieht dich runter ins Verderben. 38 00:02:17.849 --> 00:02:20.207 # Drive-by killer Musik, know what I'm sayin'. 39 00:02:20.529 --> 00:02:24.127 DJ Skiworld aka X-pert 40 00:02:24.448 --> 00:02:28.647 aka Premium Skills representing Comin Tru Records, 41 00:02:28.968 --> 00:02:32.166 top shelf entertainment - word! 42 00:02:32.608 --> 00:02:35.847 Der erfolgreichste Joint, den ich produced habe, 43 00:02:36.168 --> 00:02:38.487 müsste wahrscheinlich "Marginal" sein. 44 00:02:38.809 --> 00:02:41.287 # Eh yo c'est l'assassin sang froid sans faire de signes. 45 00:02:41.609 --> 00:02:42.887 # Je calcine tous ceux qui croisent mon chemin. 46 00:02:43.209 --> 00:02:44.607 # Je voyage sans quitter ma place. 47 00:02:44.929 --> 00:02:46.726 # Je suis un psychonaute et je represente La Base. 48 00:02:47.049 --> 00:02:48.847 # Je fais cela pour le strat et pour tous mes chiens de la casse. 49 00:02:49.168 --> 00:02:51.607 Irgendwann später musst du ein Sample nehmen. - Ja, ja, voll. 50 00:02:58.968 --> 00:03:00.967 Ist einfach mad slow. 51 00:03:01.649 --> 00:03:03.647 Ah nein, es geht. 52 00:03:03.969 --> 00:03:07.287 Sollen wir ihn choppen, damit wir ihn schneller machen können? 53 00:03:08.489 --> 00:03:10.488 Ja, voll. 54 00:03:11.048 --> 00:03:13.047 * Langsame Melodie * 55 00:03:14.689 --> 00:03:16.607 Hast du es auf dem B? 56 00:03:16.930 --> 00:03:18.087 C. 57 00:03:18.410 --> 00:03:20.167 Ja, C. 58 00:03:21.448 --> 00:03:26.087 Hip-Hop entstand daraus, dass DJs ihre Funkplatten gejuggled haben 59 00:03:26.409 --> 00:03:29.767 und immer wieder dieselben Breaks hin und her gespielt haben. 60 00:03:30.090 --> 00:03:33.687 Daraus ist Sampling entstanden. 61 00:03:34.009 --> 00:03:35.927 Die Leute haben so Beats gemacht. 62 00:03:36.250 --> 00:03:38.007 Mich hat immer fasziniert, 63 00:03:38.329 --> 00:03:41.047 wie man aus etwas Bestehendem etwas Neues kreieren kann. 64 00:03:41.649 --> 00:03:45.127 Darum lag für mich auf der Hand, dass ich das auch mache. 65 00:03:45.449 --> 00:03:48.087 Das hat mich immer geflashed. 66 00:03:48.690 --> 00:03:54.207 Wir machen Beats relativ traditionell mit Drum Machines, 67 00:03:54.531 --> 00:03:56.528 häufig mit Classic Gear. 68 00:03:56.851 --> 00:03:59.288 Da kam über die Jahre immer mal wieder etwas dazu. 69 00:03:59.609 --> 00:04:01.208 Und ... 70 00:04:01.530 --> 00:04:05.048 Dort sehe ich mich, wenn ich denke: Was für Musik machst du? 71 00:04:05.370 --> 00:04:07.328 Ich programme einen Beat. 72 00:04:07.649 --> 00:04:09.528 * Er summt einen Beat. * Zwei Schläge. 73 00:04:12.050 --> 00:04:14.048 Ah, gleich so? 74 00:04:14.889 --> 00:04:17.007 Also Vierer? Ich würde ... Ja, voll. 75 00:04:17.329 --> 00:04:19.447 Das sind nicht zwei Sekunden. * Er summt Beat. * 76 00:04:19.769 --> 00:04:20.728 Und dort der Neue. 77 00:04:21.048 --> 00:04:22.888 Wir sind gerade ... 78 00:04:23.330 --> 00:04:25.128 Heat, heat. 79 00:04:25.449 --> 00:04:27.568 Fifth am reinsamplen, y'know what I'm sayin'? 80 00:04:27.890 --> 00:04:29.648 Triggered von der SP. 81 00:04:29.970 --> 00:04:31.768 That's how it's going down. 82 00:04:32.090 --> 00:04:35.289 * Langsamer Beat über dumpfer Synthesizer-Melodie * 83 00:04:45.249 --> 00:04:47.248 * Der Beat stockt. * 84 00:04:49.210 --> 00:04:51.888 Zu Schulzeiten, als Wu-Tang gross wurde, 85 00:04:52.210 --> 00:04:54.888 dort hat es angefangen. 86 00:04:55.212 --> 00:04:57.808 * Leise, relaxte Hip-Hop-Musik * 87 00:05:03.890 --> 00:05:05.728 # Dollar dollar bill, y'all. 88 00:05:06.050 --> 00:05:09.329 Als wir in die gleiche Schule kamen, 89 00:05:09.651 --> 00:05:12.928 merkten wir schnell, dass wir auf demselben Vibe sind. 90 00:05:13.890 --> 00:05:16.769 Beide hörten Hip-Hop und beide hatten das Bedürfnis, 91 00:05:17.092 --> 00:05:20.489 einen Song zu machen. Darum begannen wir, gemeinsam Beats zu machen. 92 00:05:20.810 --> 00:05:22.089 Mein brother since day one! 93 00:05:22.411 --> 00:05:25.249 Wir haben die ersten Programme runtergeladen. 94 00:05:25.570 --> 00:05:27.329 Fruity Loops 3.0 damals. 95 00:05:27.691 --> 00:05:31.169 Das ging rum. Wir installierten es und schauten einfach mal: 96 00:05:31.492 --> 00:05:35.009 Was macht das? Was passiert hier? Einfach mal ausprobiert. 97 00:05:35.331 --> 00:05:44.049 Eine Weile später kaufte sich Sperrow eine MPC2500. 98 00:05:44.490 --> 00:05:46.528 Als sie gerade erst erschienen war. 99 00:05:46.851 --> 00:05:50.009 Eine Special Edition mit dem Carbon auf der Seite. 100 00:05:50.332 --> 00:05:52.968 * Melodischer, treibender Beat * 101 00:05:58.812 --> 00:06:03.129 Das stand im Studio, in unserem Raum damals. 102 00:06:04.973 --> 00:06:08.289 "Shit, da kann man draufblasten und Beats programmen!" 103 00:06:08.611 --> 00:06:11.129 Und das war wie eine neue Welt. 104 00:06:11.452 --> 00:06:14.570 Learning by doing. Damals gab es keine Plattformen oder Tutorials, 105 00:06:14.891 --> 00:06:16.689 die man sich hätte reinziehen können. 106 00:06:17.011 --> 00:06:18.970 Wir haben uns alles selber beigebracht. 107 00:06:19.291 --> 00:06:21.649 Wenn du anfängst, hast du noch kein Gehör dafür, 108 00:06:21.972 --> 00:06:23.849 ob das ein sauberer Mix ist. 109 00:06:24.173 --> 00:06:27.809 Du gehst mehr aufs Feeling: Fühlt es sich gut an? 110 00:06:28.132 --> 00:06:29.250 Ich erinnere mich gut, 111 00:06:29.571 --> 00:06:31.690 als wir das erste Mal Kick auf der SP reingeknallt haben. 112 00:06:32.011 --> 00:06:33.450 Word, digga. 113 00:06:33.772 --> 00:06:36.050 Das Ding ist: Wir hatten uns eine SP-1200 geholt, 114 00:06:36.372 --> 00:06:39.610 ohne vorher je eine live gesehen oder gehört zu haben. 115 00:06:40.212 --> 00:06:43.570 Dann das erste mal Kick reingesamplet und: Bam! 116 00:06:44.011 --> 00:06:46.769 * Langsamer Beat über dumpfer Synthesizer-Melodie * 117 00:06:56.691 --> 00:06:58.690 Zu langsam? - Ich glaube, ja. 118 00:07:00.653 --> 00:07:02.650 Dieser? Nein, die Sechs. 119 00:07:02.971 --> 00:07:04.730 * Verschiedene Kicks * 120 00:07:06.731 --> 00:07:09.810 * Langsamer Beat über dumpfer Synthesizer-Melodie * 121 00:07:17.772 --> 00:07:19.890 So ist gut. 122 00:07:20.613 --> 00:07:22.610 Sollen wir auf Segment 17? 123 00:07:23.292 --> 00:07:25.691 Für die Flavours. - Word. 124 00:07:30.412 --> 00:07:33.690 Vielleicht bin ich schon mal auf Vorurteile gestossen. 125 00:07:34.012 --> 00:07:37.131 Aber am Ende des Tages ist das etwas Positives, Kreatives, 126 00:07:37.452 --> 00:07:40.370 wo etwas erschaffen wird, was in die Welt rausgetragen wird. 127 00:07:40.692 --> 00:07:42.771 Es bringt Gutes mit sich. 128 00:07:43.092 --> 00:07:44.851 Daher glaube ich ... 129 00:07:45.172 --> 00:07:48.371 Wenn es negative Stimmen gibt, ist das eher eine Ignoranz, 130 00:07:48.693 --> 00:07:50.810 kein Affront gegen die Sache an sich. 131 00:07:51.133 --> 00:07:56.811 Soweit ich mich erinnere, fanden es alle cool, das wir das machen. 132 00:07:57.372 --> 00:08:00.691 Dass wir nicht nur rumhängen und Joints rauchen. 133 00:08:01.212 --> 00:08:04.811 Meine Eltern haben es von Anfang an supported, soweit ich mich erinnere. 134 00:08:05.133 --> 00:08:08.611 Als ich 15 war, kauften sie mir einen Plattenspieler. 135 00:08:10.292 --> 00:08:13.291 Mein Onkel hatte so ein Midi-Keyboard, 136 00:08:13.612 --> 00:08:15.930 das ich dank meinen Eltern ausleihen durfte. 137 00:08:16.253 --> 00:08:18.451 Sie haben das supportet, sie fanden das cool. 138 00:08:18.775 --> 00:08:23.491 Am wohlsten fühle ich mich zu Hause bei der Familie, ganz klar. 139 00:08:23.813 --> 00:08:28.891 Die Kids, meine Frau - das ist das Zentrum meiner Welt. 140 00:08:29.213 --> 00:08:32.501 Vor ein paar Jahren hätte ich wahrscheinlich anders geantwortet. 141 00:08:32.852 --> 00:08:35.491 Damals wäre das Zentrum klar das Studio gewesen. 142 00:08:36.212 --> 00:08:38.211 Aber das Leben hat sich verschoben. 143 00:08:38.532 --> 00:08:41.411 Nicht weg von der Musik, aber etwas ist nebenbei gewachsen, 144 00:08:41.732 --> 00:08:43.571 das vorher noch nicht hier war. 145 00:08:43.894 --> 00:08:46.851 Auf dem einen Joint hatte es ein paar geile Effekte. 146 00:08:47.173 --> 00:08:49.931 Hatte es da nicht am Anfang auch noch einen Joint. 147 00:08:50.253 --> 00:08:52.011 * Unverständlich * 148 00:08:52.532 --> 00:08:54.531 Den kann man auch noch nehmen. 149 00:09:00.093 --> 00:09:02.091 * Rhythmische Bläsermelodie * 150 00:09:02.414 --> 00:09:03.972 Der ist hard, man. 151 00:09:06.733 --> 00:09:09.332 Ich weiss aber nicht, ob es passt. Mal schauen. 152 00:09:09.773 --> 00:09:13.451 * Langsamer Beat über dumpfer Synthesizer-Melodie mit Bläser * 153 00:09:20.333 --> 00:09:22.332 Was meinst du? 154 00:09:23.933 --> 00:09:26.251 Noch ein bisschen velocity changen. 155 00:09:37.614 --> 00:09:40.532 Neben der Arbeit mit der Musik 156 00:09:40.854 --> 00:09:43.012 habe ich eine universitäre Ausbildung gemacht. 157 00:09:43.335 --> 00:09:46.572 Ich habe studiert. Musik ist bis heute das Ding, 158 00:09:46.894 --> 00:09:49.692 das sich 1:1 durchgezogen hat nebenbei. 159 00:09:50.014 --> 00:09:54.212 On top bin ich aber natürlich noch mit anderem beschäftigt. 160 00:09:54.534 --> 00:09:57.212 Auf den ersten Blick wirkt es vielleicht so, 161 00:09:57.533 --> 00:09:59.972 als wären es zwei total verschiedene Welten, 162 00:10:00.295 --> 00:10:02.652 die Musik und Statistiken, Wirtschaftszweig. 163 00:10:02.974 --> 00:10:06.612 Aber heute sehe ich es nicht mehr als Riesenspagat. 164 00:10:06.935 --> 00:10:09.372 Natürlich kommt das auch mit einer gewissen Reife, 165 00:10:09.694 --> 00:10:11.453 mit einer Seniorität. 166 00:10:11.774 --> 00:10:16.452 Dann kannst du mehr du selbst sein in verschiedenen sozialen Kontexten. 167 00:10:17.334 --> 00:10:20.452 Was sich früher mehr wie ein Spagat angefühlt hat, 168 00:10:20.775 --> 00:10:22.532 kommt heute immer mehr zusammen. 169 00:10:23.655 --> 00:10:25.133 Sali! 170 00:10:28.494 --> 00:10:32.252 SRF ist hier, jetzt müsst ihr ein bisschen seriös sein. 171 00:10:32.613 --> 00:10:34.612 Die ganzen Keller-Homies? 172 00:10:34.934 --> 00:10:37.613 Die ganzen Keller-Homies. Solche Wichser, ich schwöre. 173 00:10:37.935 --> 00:10:40.132 Die dissen mich noch, diese Arschlöcher. 174 00:10:40.455 --> 00:10:44.413 Ich arbeite nebenbei noch 40 % beim TeleBielingue in Biel. 175 00:10:44.735 --> 00:10:46.533 Der Rest ist die Musik. 176 00:10:46.854 --> 00:10:48.653 Ich mache meinen Job hier sehr gerne. 177 00:10:48.974 --> 00:10:50.733 Es gibt mir einen Ausgleich. 178 00:10:51.055 --> 00:10:54.573 Klar, könnte ich 100 % von der Musik leben, würde ich das wohl machen. 179 00:10:54.974 --> 00:10:58.572 Aber es ist schon geil, zwischen- durch diesen Ausgleich zu haben. 180 00:10:58.895 --> 00:11:01.453 Nicht nur jeden Tag im Studio sein. 181 00:11:03.135 --> 00:11:05.173 Das bringt etwas Abwechslung. 182 00:11:05.496 --> 00:11:08.253 Den Beat haben wir jetzt fertig gemacht auf den Geräten. 183 00:11:08.576 --> 00:11:10.493 Jetzt tracken wir es raus auf den PC, 184 00:11:10.815 --> 00:11:13.533 damit wir dort Mixing machen können, den Bass dazutun ... 185 00:11:13.855 --> 00:11:15.773 Arrangen. - Ein bisschen arrangen. 186 00:11:16.095 --> 00:11:19.932 Das Arrangement machen wir eigentlich selten auf der SP. 187 00:11:20.335 --> 00:11:22.493 Es geht schneller am PC. 188 00:11:22.816 --> 00:11:25.814 Du bleibst auch flexibler, wenn alles einzeln auf dem PC ist. 189 00:11:28.734 --> 00:11:30.733 Weisst du, was noch geil wäre? 190 00:11:33.094 --> 00:11:34.093 Gunshots. 191 00:11:34.415 --> 00:11:36.184 * Sie kichern. * 192 00:11:37.335 --> 00:11:38.333 Sirenen? 193 00:11:38.654 --> 00:11:39.413 Horror. 194 00:11:39.736 --> 00:11:41.894 * Sie ahmen Sirenen nach. * 195 00:11:47.055 --> 00:11:49.774 * Langsamer Beat über dumpfer Synthesizer-Melodie * 196 00:11:50.375 --> 00:11:51.933 * Sie juchzen. * 197 00:12:03.256 --> 00:12:04.253 Word. 198 00:12:05.735 --> 00:12:09.014 Ich gebe dem nicht nur den Wert von Geld. 199 00:12:09.335 --> 00:12:11.294 Wenn etwas zurückkommt, ist das nice. 200 00:12:11.615 --> 00:12:14.254 Würde noch mehr zurückkommen, wäre das noch nicer. 201 00:12:14.576 --> 00:12:19.333 Aber ich habe das nie an diesen Punkt getrieben: "Wie viel geht?" 202 00:12:19.656 --> 00:12:21.414 Da ich es auch nicht musste. 203 00:12:21.736 --> 00:12:23.614 Ich hatte andere Einnahmequellen, 204 00:12:23.937 --> 00:12:27.013 die diesen Gedanken weggeschaufelt haben. 205 00:12:27.337 --> 00:12:31.734 Aber diese Dinge haben mich nie gross davon abgehalten, 206 00:12:32.335 --> 00:12:34.894 kreativ zu sein oder im Studio zu arbeiten. 207 00:12:35.215 --> 00:12:37.534 Wenn du am Ende des Monats kein Cash mehr hast, 208 00:12:37.856 --> 00:12:39.894 aber Rechnungen zahlen solltest ... 209 00:12:40.217 --> 00:12:43.294 Du verschickst Beats und keiner der Rapper schreibt dir zurück. 210 00:12:43.616 --> 00:12:46.135 Du denkst: "What the fuck?" Weisst du, was ich meine? 211 00:12:46.457 --> 00:12:48.015 "Fuck, was mache ich hier?" 212 00:12:48.337 --> 00:12:51.614 "Sollte ich nicht besser 9-to-5 arbeiten und ein safes Leben haben?" 213 00:12:51.936 --> 00:12:54.974 Aber das geht nicht. Es ist zu deep. 214 00:12:55.296 --> 00:13:00.694 Ich habe gemerkt, dass Musik, dieser shit, anders ist als alles andere, 215 00:13:01.016 --> 00:13:03.374 was ich bis zu diesem Zeitpunkt gesehen hatte. 216 00:13:03.695 --> 00:13:05.815 Ich realisierte: "Okay, das ist der shit." 217 00:13:06.137 --> 00:13:08.415 Dann habe ich es nie mehr gehen lassen. 218 00:13:09.137 --> 00:13:12.695 Es hat mich seit der Jugend extrem stark begleitet. 219 00:13:13.016 --> 00:13:15.934 Es ist das geilste Gefühl, wenn du ins Studio kommst, 220 00:13:16.257 --> 00:13:20.094 einen Beat machst und denkst: "Shit, was für ein geiler Beat." 221 00:13:20.416 --> 00:13:22.414 Das ist einfach das geilste Gefühl. 222 00:13:23.497 --> 00:13:26.214 Aus dem Nichts etwas zu kreieren. 223 00:13:26.538 --> 00:13:32.695 Etwas, zu dem man viben kann, woraus dann ein Song entsteht. 224 00:13:33.017 --> 00:13:34.775 Das beste Gefühl. 225 00:13:35.098 --> 00:13:37.855 * Langsamer Beat über dumpfer Synthesizer-Melodie * 226 00:13:44.696 --> 00:13:45.695 Ja, word. 227 00:13:46.016 --> 00:13:48.535 Machen wir noch einen zweiten? Es ist erst 16 Uhr. 228 00:13:48.856 --> 00:13:50.615 Machen wir noch einen zweiten? 229 00:13:50.938 --> 00:13:52.814 Gib noch ein bisschen Bass rein. 230 00:13:53.976 --> 00:13:55.975 * Langsamer Beat * 231 00:13:56.736 --> 00:13:57.654 Shiiit. 232 00:13:59.057 --> 00:14:01.095 Hören wir uns mal an, wie es klingt. 233 00:14:01.417 --> 00:14:03.055 Dieser Track, oder? - Ja, es kommt gleich. 234 00:14:04.297 --> 00:14:06.295 * Sanfte Melodie * 235 00:14:08.296 --> 00:14:09.455 * Scratch * 236 00:14:10.457 --> 00:14:12.975 * Sanfte Melodie mit rhythmischem Beat * 237 00:14:28.257 --> 00:14:31.256 Das Ding ist - es klingt doof, aber es ist so -: 238 00:14:31.578 --> 00:14:33.815 Der Weg ist das Ziel. Weisst du, was ich meine? 239 00:14:34.138 --> 00:14:35.696 Klingt doof, aber ja ... 240 00:14:37.457 --> 00:14:40.015 Du hast es nie geschafft, du willst immer weiter. 241 00:14:40.338 --> 00:14:42.135 Du bewegst dich immer vorwärts. 242 00:14:42.458 --> 00:14:44.576 Das ist das Ziel, dass du immer weitermachst. 243 00:14:44.898 --> 00:14:46.695 Der Moment, in dem die Musik entsteht, 244 00:14:47.017 --> 00:14:49.055 u.a. dafür machst du das ja. 245 00:14:49.378 --> 00:14:51.255 Dieses Feeling, im Studio zu arbeiten. 246 00:14:51.936 --> 00:14:55.616 Es ist ein Prozess, an dem man über Jahre hinweg dranbleibt. 247 00:14:56.137 --> 00:14:59.536 Man kommt nicht an den Punkt, an dem es geschafft ist. 248 00:15:02.458 --> 00:15:05.096 * Souliger R&B * 249 00:15:11.978 --> 00:15:14.296 # I've had better days 250 00:15:14.618 --> 00:15:16.376 # since you've gone away. 251 00:15:16.698 --> 00:15:19.576 # I'm changing my old ways but not for you. 252 00:15:21.417 --> 00:15:23.416 # Sunny saturdays, 253 00:15:23.738 --> 00:15:25.496 # I'm in my own company. 254 00:15:26.417 --> 00:15:30.496 # I'm finally feeling safe without you in my space. 255 00:15:30.818 --> 00:15:34.776 # Never thought that I'd be fine. 256 00:15:35.098 --> 00:15:39.216 # Now I got no more sleepless nights. 257 00:15:40.297 --> 00:15:43.616 # After all those tears I've cried. 258 00:15:44.698 --> 00:15:47.216 # I feel like I can finally breathe. 259 00:15:47.539 --> 00:15:49.296 # No you can't get a piece. 260 00:15:49.618 --> 00:15:52.617 # She don't wanna give you any more of her love. 261 00:15:52.938 --> 00:15:55.136 # She don't wanna give you any more of her trust. 262 00:15:55.459 --> 00:15:57.817 # She don't wanna give you any more of her loving. 263 00:15:58.139 --> 00:15:59.897 # Of her loving, yeah. 264 00:16:00.219 --> 00:16:02.217 # She don't wanna give you any more of her love. 265 00:16:02.538 --> 00:16:04.536 # She don't wanna give you any more of her trust. 266 00:16:04.859 --> 00:16:08.617 # She don't wanna give you any more of her loving, of her loving. 267 00:16:08.938 --> 00:16:10.776 # I learned to be wise and think twice about 268 00:16:11.100 --> 00:16:13.776 # whom I share my good vibes with 'cause when I'm in the room 269 00:16:14.099 --> 00:16:16.337 # your eyes on me 'cause you can't do what I do. 270 00:16:16.659 --> 00:16:18.777 # My energy so high but it's not meant for you. 271 00:16:19.101 --> 00:16:28.697 # And I realized I deserve so much more than this. 272 00:16:29.018 --> 00:16:36.257 # I realized that I don't wanna give you all my loving. 273 00:16:36.579 --> 00:16:38.337 # Won't give you any loving no. 274 00:16:38.659 --> 00:16:40.657 # She don't wanna give you any more of her love. 275 00:16:40.979 --> 00:16:43.177 # She don't wanna give you any more of her trust. 276 00:16:43.501 --> 00:16:47.297 # She don't wanna give you any more of her loving, of her loving, yeah. 277 00:16:47.619 --> 00:16:50.218 # She don't wanna give you any more of her love. 278 00:16:50.540 --> 00:16:52.577 # She don't wanna give you any more of her trust. 279 00:16:52.899 --> 00:16:56.977 # She don't wanna give you any more of her loving, of her loving, yeah. 280 00:16:57.299 --> 00:16:59.058 * Gitarrensolo * 281 00:17:16.419 --> 00:17:18.416 # Now that I can be myself 282 00:17:18.739 --> 00:17:22.218 # I understand that it wasn't worth it. 283 00:17:22.539 --> 00:17:24.617 # Yeah, I'm feeling perfect. 284 00:17:25.579 --> 00:17:28.417 # I will never change for no one else. 285 00:17:28.740 --> 00:17:31.698 # 'Cause I know all it does is hurt me. 286 00:17:32.019 --> 00:17:35.818 # That's why she doesn't want to, want to ... 287 00:17:36.139 --> 00:17:38.137 # She don't wanna give you any more of her love. 288 00:17:38.459 --> 00:17:40.697 # She don't wanna give you any more of her trust. 289 00:17:41.020 --> 00:17:45.338 # She don't wanna give you any more of her loving, of her loving, yeah. 290 00:17:45.660 --> 00:17:47.778 # She don't wanna give you any more of her love. 291 00:17:48.101 --> 00:17:50.258 # She don't wanna give you any more of her trust. 292 00:17:50.580 --> 00:17:55.098 # She don't wanna give you any more of her loving, of her loving, yeah. 293 00:18:22.379 --> 00:18:26.019 # It's been a rainy day. Yeah, it's been a rainy week. 294 00:18:26.340 --> 00:18:29.778 # I've been running away 'cause baby I've been feeling weak. 295 00:18:30.101 --> 00:18:33.579 # Enough of all the thinking, that's why I'd just rather sleep. 296 00:18:34.059 --> 00:18:36.058 # Yeah, I'd rather sleep. 297 00:18:36.381 --> 00:18:42.178 # Oh, but when you call me I know it will be okay. 298 00:18:42.941 --> 00:18:45.778 # Baby, you know me like nobody. 299 00:18:47.060 --> 00:18:51.499 # And with you I'm never lonely, lonely, yeah. 300 00:18:52.540 --> 00:18:55.339 # When I'm with you I can never get enough. 301 00:18:56.221 --> 00:18:59.859 # I know you got me and you never let me fall. 302 00:19:00.182 --> 00:19:03.099 # When I'm with you I forget about it all. 303 00:19:03.781 --> 00:19:07.059 # I know you got me and we'll make it through the storm. 304 00:19:07.381 --> 00:19:11.139 # As I'm walking through the rain, lost myself again. 305 00:19:11.460 --> 00:19:13.219 # Starting over seems so hard. 306 00:19:14.940 --> 00:19:17.979 # Feel the raindrops on my skin, feel alive again. 307 00:19:18.501 --> 00:19:20.579 # I know that the sun ain't far. 308 00:19:20.901 --> 00:19:23.259 # Yeah, I'm falling, I'm falling, 309 00:19:23.582 --> 00:19:25.339 # I can't take the weight. 310 00:19:25.662 --> 00:19:27.819 # My conscious is fading away. 311 00:19:28.620 --> 00:19:32.299 # I know they cannot help me, they don't understand. 312 00:19:32.622 --> 00:19:35.220 # But you always know what to say. 313 00:19:36.940 --> 00:19:40.380 # When I'm with you I can never get enough. 314 00:19:40.701 --> 00:19:44.099 # I know you got me and you never let me fall. 315 00:19:44.421 --> 00:19:47.779 # When I'm with you I forget about it all. 316 00:19:48.101 --> 00:19:51.539 # I know you got me and we'll make it through the storm. 317 00:19:53.221 --> 00:19:59.539 # But I'm sure that I will make it out alive. 318 00:20:00.260 --> 00:20:03.259 # No I won't stop trying. 319 00:20:07.541 --> 00:20:10.259 # I can make it right. 320 00:20:11.342 --> 00:20:14.259 # But I can't turn back time. 321 00:20:14.902 --> 00:20:17.699 # And it will pass me by. 322 00:20:21.022 --> 00:20:24.220 # When I'm with you I can never get enough. 323 00:20:24.542 --> 00:20:28.270 # I know you got me and you never let me fall. 324 00:20:28.592 --> 00:20:31.700 # When I'm with you I forget about it all. 325 00:20:32.022 --> 00:20:35.500 # I know you got me and we'll make it through the storm. 326 00:20:35.823 --> 00:20:38.820 # When I'm with you I can never get enough. 327 00:20:39.142 --> 00:20:42.780 # I know you got me and you never let me fall. 328 00:20:43.102 --> 00:20:46.420 # When I'm with you I forget about it all. 329 00:20:46.743 --> 00:20:50.260 # I know you got me and we'll make it through the storm. 330 00:20:59.502 --> 00:21:01.580 # All of this time you thought you knew her. 331 00:21:01.903 --> 00:21:04.660 # Said you could always see right through her. 332 00:21:05.702 --> 00:21:08.380 # But she ain't like them other girls you know. 333 00:21:08.703 --> 00:21:11.061 # And she knows how to beware of boys like you. 334 00:21:11.382 --> 00:21:14.220 # This ain't the girl you met, no it's a new her. 335 00:21:14.543 --> 00:21:17.340 # Hard to find even harder to forget. 336 00:21:18.423 --> 00:21:21.020 # But she ain't like them other girls you know. 337 00:21:21.343 --> 00:21:23.100 # Them other girls you know. 338 00:21:23.422 --> 00:21:25.191 # She stands out more than before 339 00:21:25.514 --> 00:21:28.421 # and she might seem colder 'cause she's figured out. 340 00:21:29.112 --> 00:21:31.100 # Her energy is so golden. 341 00:21:31.423 --> 00:21:34.860 # That's why it's important for her to set her bounds. 342 00:21:35.623 --> 00:21:38.900 # And she's had ups and downs but she's figured it out. 343 00:21:39.222 --> 00:21:42.260 # No you can't faze her now 'cause she's figured it out. 344 00:21:42.583 --> 00:21:45.861 # No she ain't. She ain't like them other girls you know, 345 00:21:46.183 --> 00:21:47.941 # them other girls you know. 346 00:21:48.262 --> 00:21:54.341 # She ain't like them girls 'cause she knows her worth. 347 00:21:54.663 --> 00:21:55.981 # She ain't like them. 348 00:21:56.302 --> 00:21:59.420 # She's a special kinda lady. 349 00:22:00.702 --> 00:22:02.701 # She ain't like them girls 350 00:22:04.023 --> 00:22:07.060 # cause she knows her worth 351 00:22:07.383 --> 00:22:09.141 # She ain't like them. 352 00:22:09.463 --> 00:22:12.621 # She's a special kinda lady. 353 00:22:14.062 --> 00:22:17.101 # So special, so special what's in her heart. 354 00:22:17.423 --> 00:22:20.431 # She learned to be cautious about her love. 355 00:22:20.753 --> 00:22:24.391 # Cause not everybody's intention's pure. 356 00:22:26.024 --> 00:22:29.862 # She's so special, she's a work of art. 357 00:22:30.183 --> 00:22:31.941 # You can't face her no more. 358 00:22:32.263 --> 00:22:34.541 # She's seen through you now and she ain't. 359 00:22:34.864 --> 00:22:36.982 # She ain't like them other girls, no she ain't. 360 00:22:37.304 --> 00:22:41.141 # When I know that you thought. 361 00:22:42.223 --> 00:22:44.782 # You thought she could pull you out the dark 362 00:22:45.104 --> 00:22:48.542 # and she'd come running, these days are through. 363 00:22:48.863 --> 00:22:51.461 # She ain't a doctor, can't heal your broken heart. 364 00:22:51.784 --> 00:22:54.622 # And she's better off without you. 365 00:22:54.944 --> 00:22:57.902 # Yeah, she's better off without you. 366 00:22:58.225 --> 00:23:02.541 # Yeah, she's better off without you anyways. 367 00:23:04.183 --> 00:23:10.462 # She ain't like them girls 'cause she knows her worth. 368 00:23:10.784 --> 00:23:12.542 # She ain't like them. 369 00:23:12.864 --> 00:23:16.782 # She's a special kinda lady. 370 00:23:17.105 --> 00:23:19.061 # She ain't like them girls. 371 00:23:19.703 --> 00:23:23.142 # Cause she knows her worth. 372 00:23:23.465 --> 00:23:25.262 # She ain't like them. 373 00:23:25.583 --> 00:23:28.182 # She's a special kinda lady. 374 00:23:31.464 --> 00:23:34.942 # She ain't like them other girls you know. 375 00:23:35.744 --> 00:23:37.822 # No she ain't. 376 00:23:38.145 --> 00:23:42.102 # She ain't like them other girls you know, them other girls you know. 377 00:23:57.865 --> 00:23:59.863 Wow, vielen Dank. 378 00:24:12.544 --> 00:24:15.023 # Breaking out of the prison. 379 00:24:15.344 --> 00:24:17.942 # Use the strength you were given. 380 00:24:18.265 --> 00:24:21.183 # The voice becomes louder over time. 381 00:24:21.505 --> 00:24:23.903 # You can't help but listen. 382 00:24:24.224 --> 00:24:29.543 # No, this ain't your mission if you don't see the vision. 383 00:24:29.865 --> 00:24:33.262 # Constantly doubting if it's right. 384 00:24:33.584 --> 00:24:35.343 # Does it feel fulfilling? 385 00:24:35.705 --> 00:24:41.183 # Girl I see you're uncertain, is he a blessing or a burden? 386 00:24:41.506 --> 00:24:44.944 # It's been a while since I've seen you smile. 387 00:24:46.985 --> 00:24:50.303 # Your heart has all the answers you're searching. 388 00:24:50.626 --> 00:24:53.224 # And you know you've been running in circles. 389 00:24:53.545 --> 00:24:57.143 # You shouldn't have to pretend you're fine. 390 00:24:57.984 --> 00:25:01.143 # Girls like you know better. 391 00:25:01.465 --> 00:25:03.224 # Don't get caught up. 392 00:25:03.546 --> 00:25:08.663 # You're one of a kind, one in a million. 393 00:25:09.745 --> 00:25:12.623 # Darling you know better. 394 00:25:12.946 --> 00:25:14.703 # Don't get caught up. 395 00:25:15.465 --> 00:25:20.263 # Girls like you, they are one in a million. 396 00:25:21.824 --> 00:25:25.424 # Girl, you're pretty from the inside out. 397 00:25:25.745 --> 00:25:31.864 # Way too gorgeous to let anybody bring you down. 398 00:25:33.756 --> 00:25:38.384 # I know you had a lotta doubts you can let go. 399 00:25:38.706 --> 00:25:41.224 # Brighter days are waiting on the other side. 400 00:25:42.345 --> 00:25:44.864 # On the other side. 401 00:25:45.185 --> 00:25:48.423 # Stop letting yourself down, wasted too many hours. 402 00:25:48.746 --> 00:25:51.664 # I want you to win, girl, I just can't watch you drown. 403 00:25:51.986 --> 00:25:55.344 # If it's draining your soul it means it's time to bounce. 404 00:25:57.146 --> 00:26:00.144 # You can't let yourself down, gotta make a move now. 405 00:26:00.465 --> 00:26:03.144 # Don't you be afraid, I promise you'll get around. 406 00:26:03.466 --> 00:26:08.344 # If it don't feel like home it means it's time to bounce. 407 00:26:08.666 --> 00:26:11.424 # Girls like you know better. 408 00:26:11.746 --> 00:26:13.504 # Don't get caught up. 409 00:26:14.505 --> 00:26:18.944 # You're one of a kind, one in a million. 410 00:26:20.346 --> 00:26:24.904 # Darling, you know better, don't get caught up. 411 00:26:25.226 --> 00:26:30.504 # Girls like you, they are one in a million. 412 00:26:54.986 --> 00:26:57.505 # Girls like you know better. 413 00:26:57.826 --> 00:26:59.745 # Don't get caught up. 414 00:27:01.026 --> 00:27:05.865 # You're one of a kind, one in a million. 415 00:27:06.866 --> 00:27:09.664 # Darling, you know better, 416 00:27:09.987 --> 00:27:11.745 # don't get caught up. 417 00:27:12.906 --> 00:27:18.705 # Girls like you, they are one in a million. 418 00:27:33.827 --> 00:27:36.106 # I guess some things change overnight. 419 00:27:38.146 --> 00:27:41.186 # Boy, you had my heart working overtime. 420 00:27:43.306 --> 00:27:45.825 # Now I feel my soul coming back to life. 421 00:27:47.547 --> 00:27:50.105 # I just can't describe how I'm feeling. 422 00:27:50.427 --> 00:27:52.265 # The page got turned overnight. 423 00:27:52.587 --> 00:27:55.305 # And now I'm in a different space. 424 00:27:55.628 --> 00:28:00.066 # Everything I can taste so sweet like strawberry lemonade. 425 00:28:01.507 --> 00:28:04.825 # Paradise as I walk in my own pace. 426 00:28:05.148 --> 00:28:07.266 # Body moving to the bass. 427 00:28:07.587 --> 00:28:11.436 # This beat is doing something to my brain, yeah, yeah, yeah. 428 00:28:11.757 --> 00:28:15.626 # Nothing on my mind, got the whole world on my side. 429 00:28:15.947 --> 00:28:20.586 # Every single thing tastes like strawberry lemonade. 430 00:28:20.907 --> 00:28:24.865 # Walking with a smile, got the whole world on my side. 431 00:28:25.189 --> 00:28:29.306 # Every single thing tastes like strawberry lemonade. 432 00:28:29.627 --> 00:28:31.626 # Lemonade, lemonade. 433 00:28:32.068 --> 00:28:34.345 # Tastes like strawberry lemonade. 434 00:28:34.669 --> 00:28:36.426 # Lemonade, lemonade. 435 00:28:36.749 --> 00:28:38.786 # Tastes like strawberry lemonade. 436 00:28:39.108 --> 00:28:40.866 # On a new lane, opening doors, 437 00:28:41.187 --> 00:28:43.346 # the skies don't look so grey anymore. 438 00:28:43.667 --> 00:28:45.946 # I'm levitating who woulda thought. 439 00:28:46.268 --> 00:28:48.186 # I think I forgot who I was. 440 00:28:48.509 --> 00:28:52.866 # I cannot relate to the person that I was just one night before. 441 00:28:53.188 --> 00:28:57.426 # I swear I could walk on water, they cannot keep up anymore. 442 00:28:57.749 --> 00:29:00.706 # 'Cause now I'm in a different space. 443 00:29:01.028 --> 00:29:05.265 # Everything I can taste so sweet like strawberry lemonade. 444 00:29:06.508 --> 00:29:09.786 # Paradise as I walk in my own pace. 445 00:29:10.108 --> 00:29:12.306 # Body moving to the bass. 446 00:29:12.629 --> 00:29:16.546 # This beat is doing something to my brain, yeah, yeah, yeah. 447 00:29:16.869 --> 00:29:20.546 # Nothing on my mind, got the whole world on my side. 448 00:29:20.868 --> 00:29:25.067 # Every single thing tastes like strawberry lemonade. 449 00:29:25.588 --> 00:29:29.786 # Walking with a smile, got the whole world on my side. 450 00:29:30.108 --> 00:29:34.266 # Every single thing tastes like strawberry lemonade. 451 00:29:34.588 --> 00:29:36.787 # Lemonade, lemonade. 452 00:29:37.107 --> 00:29:39.147 # Tastes like strawberry lemonade. 453 00:29:39.468 --> 00:29:41.226 # Lemonade, lemonade. 454 00:29:41.629 --> 00:29:43.906 # Tastes like strawberry lemonade. 455 00:29:44.229 --> 00:29:45.986 # Lemonade, lemonade. 456 00:29:46.308 --> 00:29:48.346 # Tastes like strawberry lemonade. 457 00:29:48.670 --> 00:29:50.266 # Lemonade, lemonade. 458 00:29:50.828 --> 00:29:53.107 # Tastes like strawberry lemonade. 459 00:29:54.589 --> 00:29:56.986 Ein riesiges Dankeschön an meine Band. 460 00:29:57.309 --> 00:29:59.827 Wir haben an den Drums: Flo Reichle. 461 00:30:00.149 --> 00:30:02.107 Wir haben an der Gitarre: Michel Spahr. 462 00:30:02.428 --> 00:30:05.227 Wir haben am Bass: James Iwa. 463 00:30:05.948 --> 00:30:09.387 Und wir haben an den Keys: Kris Chordz. 464 00:30:09.709 --> 00:30:13.707 Vielen Dank. Danke, Selina, auf die coole Stunde mit dir. 465 00:30:14.589 --> 00:30:15.587 Love. 466 00:30:16.068 --> 00:30:20.307 Danke an alle, die draussen zuhören. Mein Name ist Marlin. Thank you. 467 00:30:20.629 --> 00:30:22.387 * Ruhige Musik * 468 00:30:28.029 --> 00:30:31.627 SWISS TXT / Accessibility Services Lisa Pfeiffer - 2025